Even with a handful of small foibles, there's little doubt the GFX 100 is a landmark medium format camera. This is largely due to Fuji’s determination to make this the first medium format camera with IBIS (in-body image stabilisation). GFX system still has holes in the lens lineup 2. The menus will be familiar to anyone who has shot with other Fuji cameras but even if you haven’t, you’ll probably find them logical and easy to navigate. Significantly improved autofocus performance 3. This is a tricky one. © Nature TTL 2014 - 2020. Given that there was enough space on the back of the camera to include it, I think this is a shame; not everyone likes using a touchscreen to access certain settings, as it means you have to remove your eye from the viewfinder in order to do so. 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Below these is a USB C port running at 3.2 speeds and I’m delighted to report also able to charge the battery in-camera or power the camera while in operation. Hopefully it can be assigned to a custom function with a firmware update. It also becomes the first medium format sensor with embedded phase-detect autofocus, boasting coverage across the entire frame. Kudos to Fuji for putting so much effort into introducing the much-needed IBIS to a medium format camera! There’s four page options, but unlike the top sub-monitor, no button to cycle through them. It’s not just the weight that’s the issue though – the height of the camera also causes problems. For example, if I owned the 100, I would shoot with it in the UK most of the time, but would probably choose my 50R when travelling abroad or if I had an especially arduous walk to a location. Few landscape photographers hand-hold cameras when shooting, but if you do this is something to be considered. A ton of useful features, including image stabilization 5. Teased at Photokina in September 2018 and officially announced in May 2019, it’s the third model in Fujifilm’s GFX series. It is highly customisable, even allowing you to display a live histogram. What’s the Best Camera for Wildlife Photography in 2020? Most of the rear controls seem inherited from the X-bodies though where I already considered them unnecessarily small, and here even more so. Traditionally when you think of high-resolution medium format photography, you’re locked to a tripod, often tethered in a studio with extensive post processing. A Quick Look at the Fuji GF 110mm f2 The GFX medium format essential portrait lens. That I was able to dig any detail out of it at all was impressive! Download the original file (Registered members of Vimeo only). It's the third GF zoom lens that Fujifilm have released to date, joining the wide-angle GF 32-64mm f/4 R LM WR and the standard GF 45-100mm f/4 R LM OIS WR. It’s also removeable, allowing you to save space or mount it on the optional tilt adapter first seen on the GFX 50S, although sadly 50S owners won’t be able to use the new viewfinder as an upgrade. So is it really a step up from Fuji’s other medium format offerings, and the considerably cheaper full-frame cameras out there? For starters, it’s big and heavy – similar in size and weight to a Canon 1DX mark II and about twice as heavy as its stable mate, the GFX 50R. The huge file sizes could have made an argument for a faster format, but equally SD gives you access to the largest capacities at the cheapest prices. Finally, the absence of the 4-way controller –  when there is space for one – is a mistake. Beyond this, things started to get a little noisy. The addition of on-sensor phase detection for faster focus and in-body image stabilization significantly expands the range of photography it can apply itself to. As a Fujifilm camera, you have the full-array of Film Simulations at your disposal including Eterna for slightly muted but attractive video footage, and ACROS which remains my favourite black and white process; the GFX 100 also inherits the monochrome adjustment, grain effect and colour chrome effect of recent X-bodies. RAW files can be recorded compressed or uncompressed and in the choice of 14 or 16 bits, although 16 bit slows-down recording and doesn’t allow continuous bursts. The Fujifilm GFX 100 is the 100 Megapixel medium format camera that the company has been promising since Photokina 2018. What’s the Best Camera for Landscape Photography? Fujifilm powers the GFX 100 with a pair of NP-T125 batteries – the same used in the GFX 50S and 50R – housed in a tray which slides into the portrait grip. This sensor is bigger than 24 × 36mm "full frame," and gives cleaner, clearer pictures than any full-frame camera. He is the author of 4 books, his most recent being ‘The Art of Landscape Photography’ (co-authored with Ross Hoddinott), and has won a number of awards in various competitions, including the Take a View Landscape Photographer of the Year, International Garden Photographer of the Year, Outdoor Photographer of the Year and International Landscape Photographer of the Year. Less positive is the fact that the four-way controller that was on the 50S has been left off the new GFX and has been replaced by swipe gestures on the touchscreen. Not only does this add a bit of weight in itself, but it also means that the new Fuji requires two batteries, which in turn necessitates an integrated grip. I’ve filmed two videos to demonstrate the quality, performance and my experiences. Behind a couple of flaps on the left side are the ports, starting with 3.5mm microphone and headphone jacks at the top. These effectively double the battery life from the 400 shot rating of the previous bodies to 800 shots here. And not just slightly – it actually makes it unusable if you are looking straight down at it. It could be argued that the number of times this might happen are few and far between, but it proved a problem for me on a couple of occasions during the ten days or so I was shooting with the camera and is, in my opinion, a design flaw. Individually, none of these points is a deal breaker, and there’s no denying that the Fujifilm GFX100 is an excellent and truly ground-breaking camera. The GFX 100 can certainly be used like this if you like, but for the first time, this is a medium format camera you can easily shoot handheld in the field, and thanks to Fujifilm’s processing, the images are very usable straight out of camera. The first provides a hands-on overview of the camera, while the second concentrates on the headline features of quality, focus, stabilisation and video – check them both out for my full review! With a bigger surface area on the back of the camera, the buttons are less scattered than on the 50S and 50R, meaning they are easy to reach and operate. In terms of colour and tonality, files from the GFX 100 are simply beautiful. The camera is heavy enough for you to notice its bulk on a long trek and it’s big enough that packing it in a bag requires some care. And if you spend a lot of time shooting at ground level, you may get irritated with the way the EVF blocks the view of the live view screen. Once I’d got over my initial dislike of its more modern controls, I found the handling of the new Fuji very slick. In that time, they’ve released 3 cameras and a range of lenses from 23mm to 250mm (roughly equivalent to 18mm to 195mm). The GFX 100 employs a 3.2in touchscreen that shares the same three-way tilting mount as the GFX 50S and X-T3. This is largely due to Fuji’s determination to make this the first medium format camera with IBIS (in-bo… The GFX 100 employs what Fujifilm describes as a brand new sensor, sporting 102 Megapixels, double that of the earlier GFX 50S or 50R and delivering images with a whopping 11,648×8,736 pixels. Absolutely no complaints about the viewfinder though which employs a very high resolution 5.76 million dot OLED panel with a huge 0.86x magnification. The GFX 100 is big and expensive compared to regular cameras, but in the world of medium format photography (sensors larger than 35mm full frame), it's a positive bargain. With Fujifilm GFX 100, you can record your videos at a highest resolution of 4096 x 2160 at 30p, 25p, 24p fps with bit rates up to 400 mbps and save in MPEG-4, H.264 and H.265 formats. Why is this such a problem? The GFX 100 is a one-hundred megapixel mirrorless camera with a big 33 × 44mm medium-format sensor. Unsurprisingly it won’t flip to face forward, but I think owners will be perfectly satisfied by the articulation on offer. A considerate option with the unforgiving resolving power here. The GFX 100 firmware version 3.00 and the new Pixel Shift Combiner software will be available to download from the 25th November 2020. Then the third page devotes the entire 1.8in 303×230 dot LCD screen to displaying a live brightness histogram. Most of its users will have either a 50S or 50R as a second body. Excellent image quality 4. Mark Bauer has been a professional landscape photographer for over 10 years. The latest camera in the stable is the Fujifilm GFX100, which caused a bit of a stir on announcement mainly because of its 100 megapixel sensor. Is Photography Allowed During the UK Lockdown? Autofocus is quick and accurate. There are no doubt those who will appreciate the fact that it has IBIS – for example fashion and wedding photographers – but as a landscape photographer, it’s not a feature I would ever use and I would prefer to have a little less weight to carry on long hikes to locations. Like the X-series, you can also choose between 17:9 DCI or 16:9 aspect ratios. All words, images, videos and layout, copyright 2005-2020 Gordon Laing. The Fujifilm GFX 100 (Amazon, B&H, Adorama) is a flagship model of the GFX Series of medium format mirrorless cameras, which have won strong praise from professional photographers and photo enthusiasts alike for the use of a large image sensor, boasting approximately 1.7 times the size of the 35mm full-frame sensor. I was able to test it in the days leading up to a four and half month trip. The simple answer is yes. One benefit of the camera’s height is that there is a third LCD screen – the rear ‘sub screen’ as Fuji calls it, which sits underneath the main, tilting LCD on the back of the camera. The EVF is another improvement – resolution is higher than its predecessors and it has lost the ‘shimmer’ which plagued the 50S. But it doesn’t just score on the numbers front, it’s also great to use. The GFX 100 is weather-resistant and has a comfortable main grip, and like a pro DSLR, also features an integrated portrait grip with duplicate controls. Fujifilm GFX 100 Review. Judging purely on image quality, I wouldn’t hesitate to recommend the GFX100 as a landscape camera. It also becomes the first medium format sensor with embedded phase-detect autofocus, boasting coverage across the entire frame. Although it is the same size and shape as the EVF on the 50S, it is not back-compatible with that model, although it works on the same tilt adaptor. 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With the viewfinder attached, it’s actually quite difficult to fit it comfortably into even a large camera rucksack such as my F-Stop Sukha, partly because of the height but also because of the way the EVF sticks out quite a long way behind the camera.